You can read an interview with me here on the Inkubator Books website.

In The Lost Boy, is the island of Faida a real place?

No - the island is fictional, and I had a lot of fun creating it! I have, though, included elements of islands on the west coast of Scotland that I have visited. In particular, the Fairy Forest is based on a remnant of ancient woodland on the island of Eigg, called temperate rainforest, where my friend Jocelyn and I had a near-death experience a couple of years ago. That's possibly a slight exaggeration - we took the wrong path and ended up scrambling through stunted trees while attempting not to fall down a precipitous slope. (At least no one was stalking us with murderous intent - as far as we know!)

How long did it take to write?

The planning stage took about 2 months. I was lucky enough to work with Brian Lynch at Inkubator Books in their 'writers' room' process, where Brian helps me to outline the book in detail before I start writing. I find this a really good way to work, as I know exactly what happens in each scene before I plunge in. People sometimes ask, 'Isn't that a bit stifling?', but I find the opposite - not having to worry about the plot, character motivations etc. allows the creative part of my brain free rein, so I can be more completely 'in' the story.

The first draft of The Lost Boy took about a month to write, and then I spent just over a month revising it. Then my brilliant writer friends, Lucy Lawrie and Lesley McLaren, read it and made some great suggestions and caught lots of embarrassing mistakes. Next came the editing process with the Inkubator Books team, who did the same, so I was lucky to have lots of help from lots of talented people.

The whole process, from idea to publication, took about seven months.

Are any of the characters in The Lost Boy based on real people?

The human characters are all completely imaginary, but the crows, Norman and Daphne Hoodlum, are based on a pair of crows I befriended when I lived in a house by the sea. All of the behaviours I describe in The Lost Boy are based on things I observed 'my' crows doing, with the exception of the gift-bringing. My little ingrates never brought me anything. It was all take, take take!

Please excuse the terrible photos! That's Norman on the left and the right, and one of their offspring in the middle. Interestingly, some of their offspring (over three broods) had white bits on their plumage. This sometimes happens in crows, I discovered, and is called leucism - it seems to be caused by recessive genes coming together.  

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Where did the idea for Watch Over Me come from?

It came from an article about a forced adoption, in which the grandmother of a child taken away for adoption against the family's will was telling her story. She maintained that the social worker assigned to the case had been less than honest, and that the family had been misrepresented, lied to, excluded from meetings etc. I began to think about what might happen if the family in question were a ruthless, formidable 'family from hell'... How might they go about getting their child back?

The character of Lorraine Johnson is appalling. Is she based on anyone?

They do say that every character represents a facet of the writer's own personality...! I had so much fun writing the Lorraine sections of the story. She really is horrendous, but there are reasons for that, and she does have another side to her. She genuinely loves her family, first and foremost, and she definitely has a sense of humour (if a pretty unpleasant one).

Are there any plans to revisit these characters?

A free novella (or long 'short' story) is available for readers of Watch Over Me, the events in which predate what happens in the book. The Johnson family are off on holiday...

​Other than that, no - Watch Over Me is a standalone book.

What is the story behind its publication?

It was originally self-published as Risk of Harm.  Brian Lynch at Inkubator Books got in touch via this website and asked if I'd like to discuss publishing it with them, following a few changes. The changes he suggested all made a lot of sense, and I'm really happy with the improvements that have come about as a result. I feel very lucky to have the Inkubator Books team to guide me and to do all of the publishing stuff - properly (as opposed to my pathetic self-publishing efforts). I'm really excited about the whole thing!  

Watch Over Me is very different from the Pitfourie Series - was that deliberate?

Yes, I wanted to write something completely different, with a different (rather grittier) 'feel' and different types of characters. It's also set in Scotland, but that's where the similarity ends, I think. It is in some ways a more conventional book, with a faster moving plot.

But there surely isn't much 'conventional' about the Johnson family...?!

I hope not!

When will the next book in the Pitfourie Series be published?

I hope to have finished Book 3 in the series, provisionally titled The Summer Woods, in 2022. People on my mailing list will receive an email to let them know when it's published - you can add your name to the list here.

What are the inspirations for the Pitfourie Series?

My family originates in the north-east of Scotland, and I have my mother, grandmother and other relatives to thank for a treasure chest of stories and incidents but most of all for giving me an indefinable sense of the way of life of the rural communities here. And for most of the Scots vocabulary used in The Sweetest Poison and The Time and the Place. The north-east has its own very particular dialect, called the Doric, and words such as 'orra' and 'fooshty' lodged in my brain from an early age.

One of my favourite sets of novels is the Scots Quair by Lewis Grassic Gibbon, which evokes this part of the world so well.

I also love the Lymond series of historical novels by Dorothy Dunnett. While I would never attempt to create anything as complex and Byzantine, and Francis Crawford is of course a one-off, I like to think that he might appear somewhere in Hector and Damian's family tree.

How long did it take to write The Sweetest Poison?

That's a surprisingly difficult question to answer! I started it over a decade ago, finished it a few times (!), and had a lot of help with it from my brilliant writer friends Lesley McLaren (whose crime novel was shortlisted for the CWA Debut Dagger) and Lucy Lawrie (author of The Child in My House, The Last Day I Saw Her and Tiny Acts of Love, all available on Amazon), and also input from two agents, one of whom worked with me on edits and then sent it out to the major London publishers. However, it didn't sell to any of them and I decided to publish via Amazon.

Please take a look at the 'More Books and Blogs' section of the website for details of Lesley and Lucy's work.

Is the character of Helen drawn from life?

Only in as far as any character has bits of the author in her mixed up with bits of other people, but mainly she comes from my imagination. I know there is almost a requirement in crime fiction currently for a feisty, kick-ass female lead, but I wanted my heroine in this story to be a sensitive, innocent, sweet person - the kind of person who just isn't equipped to stand up to her bullies and (oh so politically incorrectly!) goes running to Hector to 'save' her at every opportunity.

What happens when she's pushed and pushed and pushed...? When a person like that snaps, is the damage all the worse?